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Relatively Close to the Sea

by Naevus

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    Compact Disc in Digipak including booklet with full lyrics and credits

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1.
I used to live Relatively Close to the sea But that was before The things I saw Crawled into me So now I sit Cautiously Under bricks and leaves And I can’t tell If the things I smell Are part of you or me We all wait Nervously For what may never be And I understand That unknown plans Undermine all we see
2.
The focus of my pleasure Is out there, upon the tip Of the situations Where conscience spreads its grip Beyond its proper place And where reason is in thrall To all that’s retrospective Futuristic or banal Bring it all on back to me In painful episodes No-one ever blessed An adequate place to sit and gloat Things will not transfer themselves Away into the past Because it is a dirty And forever changing beast I’m sorry that I laughed At your existential dance And derided verdicts That I’d hoped would never last At the end of what remains Of feelings and of actions I run roughshod over the edges Of this traffic island
3.
Meat On Meat 05:19
All around the farmyard Bestial eye to bestial eye The components of my dinner Kick a colleague, lick a fly Wandering without premonition Of their next meeting place Their snout-to-snout encounter Re-enacted on my plate Beneath my knife, upon my fork At my lips, between my teeth In my stomach, in my bowel In my toilet, in our sewer Won’t you please roll out the barrel For me to throw my pennies at I shall be washing down my sausage With something brown or something black I anticipate the flavour I shall be gratefully replete I take my seat to savour The delights of meat on meat Beneath my knife, upon my fork At my lips, between my teeth In my stomach, in my bowel In my toilet, in our sewer
4.
The German 06:48
Well, he walked into the bar Like he was made of the place he was in And the look on his face Was closely related to a grin And some of the people there Stared hard at their whiskey or gin While some others went outside To dig a hole to put him in He didn’t think it was too much to ask To be separated from his past From all of his petty weaknesses And from all that he’d done The German He had conflicting emotions Bubbling within As he considered the implications Of his move from West Berlin He ordered another drink While cradling his chin When those others returned And started closing in He didn’t think it was too much to ask To be separated from his past From all of his transgressions And from all that he’d done The German And he dreamed of little flowers And of birds that spoke to him And of squirrels and of rabbits That obeyed his every whim And of nature stood in order With the things he held within And of people that were placid And approving of his sin He stared hard at the barman As they gathered up behind And he asked for another Plastic packet of pork rind And the barman said deliberately “This is what you’ll find If you walk in here out of nowhere Do you think we’re fucking blind?” He didn’t think it was too much to ask To be separated from his past From all of his weaknesses And from all that he’d done The German Well, the first shovel entered his back And severed his crooked spine And the second split open his skull And emptied his tiny mind And the third shovel shattered his pelvis Absolving him of his crime And he would have offered to help them If he’d only had the time He didn’t think it was too much to ask To be separated from his past From all of his transgressions And from all that he’d done The German And he dreamed of little flowers And of birds that spoke to him And of rats and of mosquitoes That suckled at his skin And worms that ate unwelcome thoughts Out from his dying brain And he dreamed of all the people That he’d never see again
5.
Dented Mess 02:25
A procession of tiny and ignorant lessons Leaving an unwelcome tang in their wake Fallen from their dissatisfied centre But with their weight and presence remaining Wholesome/unwholesome Frequent/infrequent Wanted/unwanted Oh, to have done and to have enough To live vicariously and unpleasantly Through the perceived thoughts of those around you And to presuppose that your perceptions are wrong Wholesome/unwholesome Frequent/infrequent Wanted/unwanted Entry to dented mess Brought Hell to Kent-based Den Get the end of it and try to see fit for it Consciously miss it and slowly replenish it You intend to conflate two ideas But instead you’re conflating three Wholesome/unwholesome Frequent/infrequent Wanted/unwanted
6.
From all ills mine differs It pleasures me, I rejoice in it My illness is what I want And my pain is my health My pain is my health From all ills mine differs It pleasures me, I rejoice in it My illness is what I want And my pain is my health My pain is my health I don’t see then of what I complain For my illness comes to me of my own will It is my own wish that becomes my ill And my pain is my health My pain is my health I find so much pleasure in wishing thus That I suffer agreeably And so much joy within my pain That I am sick with delight! And my pain is my health My pain is my health My pain is my health My pain is my health Is my health Is my health
7.
Go Grow 17:40
Once, I caught an eel as it fed On smaller creatures rising up from silty, brown-grey mud Its sharp, spasmodic movements had caught my eye I watched it as it twisted in my bare, young hand I considered whether it belonged in water or on land I returned it to the river; it swam away But you know what it looks like You know what it smells like You know what it feels like Go grow My cups of plenty always were abrim With gifts that I would never give to her or to him I was always ready to resent or to retire Now medicated gum clots the streets And disregarded fun sticks to the soles of my feet And some of the buildings around me are on fire But you know what it looks like You know what it smells like You know what it feels like Go grow
8.
I used to live Relatively Close to the sea And I understand That unknown plans Undermine all we see

credits

released November 10, 2008

Lloyd James: voice, guitar, keyboard, whistle, harmonica, trombone.
Joanne Owen: bass, accordion, frying, clockwork bird.
John Murphy: drums, percussion.
Joanna Quail: cello (tracks 2 and 7).
Greg Ferrari: Electric guitar (tracks 3 and 5).
Matt Howden: violin (track 4).
Arthur Shaw: keyboard (track 6).

Recorded by Lloyd James at Wooden Lung in London from November 2007 to March 2008. Drums recorded at Tranzmission studios in Hampstead, London in February 2008. Organ sound in track 6 recorded by Arthur Shaw in Forest Hill, London in January 2008. Violin in track 4 recorded by Matt Howden at Redroom, Sheffield in March 2008. Electric guitar in tracks 3 and 5 recorded by Greg Ferrari in Blackhorse Road, London in March and April 2008. Mixed and Mastered by Lloyd James at Wooden Lung, London in May 2008. Cover painting by Lloyd James.

All material (c) Naevus 2008.

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Naevus London, UK

Lloyd James: voice, guitar. Ben McLees: bass. Hunter Barr: drums. Sam Astley: guitar.

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